Martin Provost's How to Be a Good Wife is a film that embodies "Vive la révolution!" It's not an unfamiliar premise in its critiques gender...

The utility of rioting has been an important debate of late. For some, destruction of property seems to be a step too far; others recognize...

Lili Horvát joins her fellow countryman Kornél Mundruczó (whose Pieces of a Woman offered a melodramatic look at the complexities of lost mo...

"You can't be what you can't see," says Alison Wonderland in Underplayed, a documentary about the dearth of gender, sexual, and ethnic repre...

Like Gaspar Noé's Irréversible before it, Violation masterfully plays with the promise of catharsis supposedly ingrained in the "rape and re...

Good Joe Bell offers Mark Wahlberg a dramatic turn without doing much to advance the issues it's attempting to tackle. Talking about intenti...

In 2013, Australian outdoorsy type Sam Bloom and her husband visited Thailand with their three boys. On the first day of their trip, Sam suf...

Hungarian director Kornél Mundruczó, a film festival mainstay thanks to White God and Jupiter's Moon, delivers his English-language debut wi...

Frances McDormand has already led a staggering career, but she may have capped it all off with her role as Fern in Chloé Zhao's immersive, e...

"Look at you," begins a narration by Rosamund Pike at the opening of I Care a Lot. She tells us we're not good people because there's no suc...

During an early scene in The Father, daughter Anne (Olivia Colman) speaks with titular dad Anthony (Anthony Hopkins) about the need to find...